Viktor Pivovarov is part of the older generation of nonconformist artists and one of the founding fathers of Moscow Conceptualism. A frequent theme for the artist is the poeticization of the everyday and its lyrical idealization. Pivovarov works in various genres, from large‑format paintings to small drawings, but his main medium is the conceptual album, one of the sources of which is his work as a children’s book illustrator, which he began in 1962.
The album genre comprises a set of numbered drawing sheets that are viewed in a defined order, where the narrative is a combination of visual and textual elements. Pivovarov created his first album, Staircase of Balls, in 1975, followed by Conclusions, Face, and Tears in the same year. After moving to Prague in 1982, Pivovarov began rethinking his artistic language. Albums and series dedicated to his friends and relatives, Moscow, and reminiscences about the period from the 1950s to the 1970s began to appear in his practice.
In the album Kabakov and Pivovarov the artist directly explores the phenomenon of Moscow unofficial art. Above all, this is a nostalgic nod to a past life, but it is also one of the first acts of reconceptualizing the mythologization of a local historical phenomenon which he witnessed. On the first sheet the “ovals” meet at a publisher and begin talking about the international situation. Then, having decided to go for a walk, they take a Chagall‑like flight over a city, fields, forests, and mountains. Their conversation moves on to the philosophical aspects of existence, with Pivovarov’s character emphasizing the mystery of the ordinary and of simple things, such as rocks, worms, light bulbs or matchboxes. Kabakov’s character grumbles about the fate of Russia, the phenomenology of fear, his decline, and creative predestination.
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