This book was produced for the exhibition “RomCom: Alex Gardner”, September 7th — Octover 15th, 2017. His entangled ink-black bodies are draped with dramatically folding white cotton separates and posed in pastel environments where the reflections of color produce subtle gradients and thoughtful tonal shifts. The paintings indicate in gesture and pose a wordless “romantic comedy”. As in Mannerist paintings, they capture drama with their bodies through the distortion of torsion, a clump of muscle, a knobby knuckle, a languid wrist. Over-articulated fingers and feet contrast with completely featurelessly smooth faces; expression is only through body language. Gender is hinted at but as with the skin and the clothes and the environments, all cultural signifiers are smoothed over to de-individuate and universalize.
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