Details
Type
Access level
Available on request
Institution
Location
Moscow, Garage Archive Collection
Publication date
Place of publication
London
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Keywords
Description
One of the most significant artists of his generation, Carl Andre’s Minimalist sculpture has shifted the boundaries of art. One of the major American minimalists of the 1960s, Carl Andre is often compared to contemporaries like Robert Morris and Donald Judd.
This dynamic collection of essays and exhibition reviews charts the gradual evolution of consensus on the meaning of Andre’s art among the most influential art historians and critics of our time. This volume is an indispensable anthology on one of the central figures of Minimalism.
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