Foreword /? Yve-Alain Bois Arts Magazine Reviews Primary Structures Art in Process — Structures Systemic Painting Review: Eccentric Abstraction The Domain of the Great Bear Less Is Less (for Dan Flavin) The Beach Boys — '100%' New York Windows Review: New Dimensions Consumer Testing The Warren Report: Kennedy's Assassination as TV Serial Serial Art Systems: Solipsism The Serial Attitude Seriality and Photography A Compilation for Robert Mangold Alfaville, Godard's Apocalypse An Interview with Elayne Varian “Anyone Can Learn to Draw” Review: 1969 Whitney painting Annual Notecards No Thought Exists Without a Sustaining Support Excerpts from Speculation (1967–1970) Misunderstandings (A Theory of Photography) Notes on Theory ICA Lecture Axiom of Exhaustion Three Statements for Data Magazine Reflections on 7 Properties of Between Book Review: Six Years: The Dematerialization of the Art Object from 1966 to 1972 An Interview with Lisa Haller Ten to 10 Mel Bochner on Malevich: An Interview with John Coplans Inside the Process: City University Lecture Matisse: the Risk of Painting Late Cezanne Drawing An Interview with Charles Stuckey Renoir Bannard: Painting as Becoming From Idea to Experience: An Interview with Frederic Valabreque Thoughts Reinstalling A Theory of Sculpture Barnett Newman: Writing Painting/?Painting Writing About Eva Hesse: An Interview with Joan Simon Notes on Continuous/?Dis/?Continuous (1972) “How Can You Defend Making Paintings Now?”: A Conversation with James Meyer An Interview with Lizbeth Marano Mondrian: “Always Farther” July 20, 1973 Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art Misunderstandings (A Theory of Photography) (1967–1970) Blue Powder Pigment Wall Pieces An Interview with Christophe Cherix and Valerie Mavridorakis An Interview with Mark Godfrey Judd's Writings Secrets of the Domes Institute of Fine Art Lecture.
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