While Aniko Robitz uses photography as a medium, her works can be appropriately understood from the visual vantage point of fine arts. Her works can be approached with ease by those who are familiar with the novel visual vocabulary of form developed in the 20th century, which can be linked primarily to abstraction, Suprematism and Minimalism, i.e., signalling a departure from anthropocentric representation. It is a departure from all that fine art photography, addressing a main stream public with its own genres — such as landscape, still-life, genre, portrait and nude photography, etc. — all stemming from the classification of genres or approaches pertaining to traditional art forms, with their history being linked to the once-unified world view.
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