Данные документа
Тип
Уровень доступа
Доступ по запросу
Место хранения
Москва, Архив Музея современного искусства «Гараж»
Год издания
Место издания
Кембридж
Издательство
Описание
Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's readymades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical “this is beautiful” with “this is art.” De Duve employs this shift (replacing the word “beauty” by the word “art”) in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.
Связанные персоны
- / Автор
- / Персоналия
- / Персоналия