Данные документа
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Москва, Архив Музея современного искусства «Гараж»
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Место издания
Лондон
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Описание
Twentieth-century art in America has long been understood in two very separate distinct halves: pre-World War II, often considered as inferior and provincial; and the triumphant, international post-war work that made a complete break with everything that went before. Agee discovers exciting new connections between artists and artworks, which strongly suggest that 1945 was not such a dividing line in art history after all. His fresh research offers an innovative approach and a brilliant take on art history.
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