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Москва, Архив Музея современного искусства «Гараж»
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Лондон
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Thomas Hirschhorn is a Swiss-born artist who emerged in the 1990s, noted for his giant, labour-intensive, room-sized collages of low-grade materials. Part-text, part-sculpture, part-junkheap, incorporating furniture, cardboard boxes, wooden frames and more, these baroque installations reflect an extraordinarily prolific imagination.
Noted professor and art thinker Benjamin H. D. Buchloh surveys the artist's work from its earliest, anonymous beginnings in the streets of Paris to his recent, virtuoso installations as part of a long tradition of politically-motivated anti-monuments.
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