Through an assemblage of articles, criticism, and essays, 'Diane Arbus: Documents' charts the reception of the photographer's work and offers comprehensive insight into the critical conversations, as well as misconceptions, around this highly influential artist. Best known for her penetrating images exploring what it means to be human, Diane Arbus is a pivotal and singular figure in American postwar photography. Arbus’s black‑and‑white photographs demolish aesthetic conventions and upend all certainties. Both lauded and criticized for her photographs of people deemed “outsiders”, Arbus continues to be a lightning rod for a wide range of opinions surrounding her subject matter and approach. Critics and writers have described her work as “sinister” and “appalling” as well as “revelatory”, “sincere”, and “compassionate.” Illuminating fifty years in evolution of art criticism, Documents provides a new template for understanding the work of any formidable artist. Organized in eleven sections that focus on major exhibitions and significant events emerging from Arbus’s work, as well as on her methods and intentions, the seventy facsimiles of articles and essays — an archive by all accounts — trace the discourse on Diane Arbus, contextualizing her inimitable oeuvre. Supplemented by an annotated bibliography of more than six hundred entries and a comprehensive exhibition history, Documents serves as an important resource for photographers, researchers, art historians, and art critics, in addition to students of art criticism and the interested reader alike.
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