Данные документа
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Доступ по запросу
Место хранения
Москва, Архив Музея современного искусства «Гараж»
Год издания
Место издания
Нью-Йорк
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Описание
As the first major critical study to examine lliterary and cultural representations of physical disability, this book situates disability as a social construction, shifting it from a property of bodies to a product of cultural rules about what bodies should be or do. Rosemarie Garland Thomson examines disabled figures in sentimental novels such as Harriet Beecher Stowe's Uncle Tom's Cabin and Rebecca Harding Davis's Life in the Iron Mills, African‑American novels by Toni Morrison and Audre Lorde, and the cultural ritual of the freak show.